Squid Game season 2? You season 4? Hey, Netflix, stop running your best shows into the ground
Squid Game flavour two? You season 4? Hey, Netflix, stop running your best shows into the ground
Final weekend I finally polished off You lot season three, and equally the credits rolled (on the frankly preposterous finale) I was greeted with a message from Netflix "it's official: another season is coming." This brief argument, likely supposed to elicit excitement, most reduced me to tears. You encounter, Netflix's You (starring Penn Badgley) has just gotten increasingly convoluted and hitting a point where I'm rolling my eyes with each new twist and machination to keep him killing.
Of class, I don't accept to watch another 10 episodes of the outlandish thriller serial (which Tom's Guide considers 1 of the all-time Netflix shows), I could telephone call it quits and cut my losses now. But leave the continued misadventures of obsessive serial killer Joe Goldberg forever unknown. Unfortunately, that's not in my nature: I'm a completionist at heart. One time I start something, I have a nagging demand to finish it. Be it a TV series, movie, video game, book, or article.
Unfortunately, that personality trait mixed with Netflix'south passion for running any serial that gains traction into the ground with alarming regularity has proven to exist a dangerous combination. Over the years, I've watched dozens of hours of lackluster Netflix content out of a sense of obligation rather than actual enjoyment. I'm starting to call back it'due south time to pause the bike.
The milking never stops
Netflix stretching its biggest hits well beyond their sell-by date isn't a new phenomenon. The streamer'southward very start original series (Lilyhammer doesn't count, it debuted elsewhere first), Business firm of Cards, ran for half a dozen seasons which was about twice every bit long as the textile warranted. It fifty-fifty persisted with a needless sixth season when Kevin Spacey stepped downward from the bear witness afterward sexual misconduct allegations.
Netflix's adjacent original evidence, Orange is the New Black, also overran coming in at seven seasons past the time it wrapped up in 2019. A needlessly long run for a evidence that ended up essentially relegating its original protagonist to a supporting character simply to keep things fresh — a tactic that failed spectacularly.
While fans eagerly await Strangers Things 4, Netflix is already hinting at a Millie Bobby Brown lead spin-off — no thank you.
Don't think Netflix has dropped this habit in contempo years either. Take contempo nail hit Squid Game as a prime example. While I adored the outset season, information technology always felt like a one-and-done bear witness to me, fifty-fifty if the catastrophe was fairly ambiguous. It seemed the testify's creator was at to the lowest degree initially hesitant to continue the story likewise, maxim he didn't accept a "well-developed programme for Squid Game 2" in an interview with Variety. But of course, simply a few weeks Netflix confirmed that season 2 was greenlit. Authorial intent exist damn, Netflix has shareholders to please!
Perhaps more egregiously Netflix has at present taken things a stride further than just producing shows beyond their sell-by date. The streamer now appears somewhat obsessed with trying to create spin-offs shows and features based on its biggest success stories. For example, while fans eagerly wait Strangers Things iv, Netflix's top brass, Ted Sarandos, is already hinting at a Millie Bobby Brown lead spin-off in the future — no thanks.
Furthermore, fantasy series The Witcher premiers its 2d season this calendar month (on Dec 17 to be exact) but in the meantime, Netflix already pushed out an blithe movie, Nightmare of the Wolf, and has a prequel series, Blood Origins, in a pipeline to boot. I considered myself a Witcher fan, merely it'due south already starting to experience similar content overload.
Netflix is fifty-fifty worse when it comes to its popular reality-Boob tube content. Guilty pleasure series Selling Sunset has a Florida-prepare spin-off, Selling Tampa, launching this month and a second supporting show, Selling the OC, coming in 2022. I assume this is a barrel that Netflix will keep drawing from until we get Selling Detroit. In fairness, I'd probably picket that.
Boom or bust is as well binary a earth
Curiously, Netflix'southward habit of milking its biggest hits stands in stark contrast to its ruthless culling of any show that doesn't immediately find a substantial audience. This was again displayed this week when the live-action accommodation of anime Cowboy Bebop was ungracefully axed less than a month after its debut, the viewership numbers weren't strong, but it was 1 of Netflix's well-nigh hyped offerings for 2021.
This year alone Netflix has canceled 18 shows, 12 of them beingness spiked later just a single season. That continues the trend from last year when the streamer canceled 20 shows. I've written earlier about how frustrating I find Netflix's clear unwillingness to allow a show to find its feet.
Why is this and then important? Many classic shows, such as The Office (U.S.) and Parks and Recreation, stumbled a petty in their first series while finding their groove, Netflix could practice with remembering that.
Couldn't Netflix accept taken some of the money it'southward funneling into some other unnecessary Witcher blithe picture show, or the Stranger Things spinoff that nobody is asking for, and allowed promising shows like I Am Not Okay With This a 2d risk to discover an audience?
I suppose at Netflix, y'all either dice a Jupiter's Legacy or you alive long enough to become an Orange is the New Black. The days of 3-seasons-and-done (cheerio GLOW) seem to be a thing of the past.
In that location must exist a eye footing
I'm not dim. I become it that Netflix is looking to draw in the highest number of subscribers possible, and so naturally, if a bear witness is connecting with audiences it will go renewed until that audience goes away. Similarly, if a project flounders out of the gate, information technology'southward hardly in Netflix's best interest to throw more money at an underperforming show in the hopes the kinks will be ironed out during its sophomore twelvemonth.
Yet, there must be a middle ground somewhere. It doesn't take to be either six seasons and a moving picture, or near-instant cancellation with seemingly no mercy. I'm not suggesting that popular Netflix shows shouldn't be given a long run when the material warrants it, far from it. Nonetheless, Netflix doesn't need to jump between the 2 extremes as oftentimes as information technology currently does. It's time that Netflix learns that sometimes less is more when it comes to giving audiences what they want.
Of course, there is every possibility that I'thousand misreading the room. The majority of The Witcher and Stranger Things fans may want to eat every ounce of those worlds possible, but I've definitely got a breaking point. Mayhap I need to begin acknowledging when I've reached it and walk abroad instead of soldering on in a pointless mission to see everything I first through to the bitter end.
Source: https://www.tomsguide.com/opinion/dear-netflix-quit-milking-your-biggest-shows
Posted by: walkerthlent.blogspot.com
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